Lies Van Gasse

Wenteling XXI

Wenteling XXI

Deze ochtend, toen ik na jaren boven kwam,
waren mijn haren nat,
groeiden er schubben onder mijn oksels.

Hitte rustte op de huid
als een vals akkoord.
De poppen lagen bloot.

Maden vraten aan mijn vingers
en het groeien kostte tijd.

Toen ook mijn ogen open gingen,
kwam de zon op. Padden zwegen plots.

Ik had bijna spijt.

Er was een gordijn dat mij het zicht benam
en mijn vinnen zogen aan.

Ik had niets geleerd, maar deze lente
gaf mij dode takken en een zacht moeras.
Meer had ik niet nodig.

Ik bedacht dat zelfs de grootste vissen
pijn zuigen, dat het zachtste land bevaarbaar is.

Ik bedacht dat waar de eindes elkaar raken,
niets nog wat wil zeggen.

Er zitten vreemde stromingen in ons,
die ons in hoogtes en dieptes trekken,

maar na jaren van traagheid lopen we snel over.

Wij varen naar het einde.
Honger trekt.

Ik ben een mast die woorden vangt,
de touwen hard, maar strak.



Lies Van Gasse, Wenteling, Uitgeverij Wereldbibliotheek, 2013.


Revolution XXI

This morning when, after years, I emerged,
my hair was wet,
scales grew beneath my arms.
Heat lingered on the skin
like a false note.
The chrysalids lay exposed.

Maggots nibbled at my fingers
and growing took time.

When my eyes also opened,
up came the sun. Toads were suddenly silent.

I felt almost sorry.

There was a curtain blocking my view
and my fins stuck.

I had learned nothing, but this spring
gave me dead branches and a soft marsh.
This was all I needed.

I thought that even the biggest fish
suck pain, that the softest land is sailable.

I thought that where the ends meet
nothing means a thing anymore.
There are strange currents in us,
that drag us into peaks and troughs,

but after years of sluggishness we swiftly overflow.
We sail towards the end.
Hunger pulls.

I am a mast that picks up words,
the ropes hard, but tight.


Translation: Rosalind Buck

About Lies Van Gasse

Lies Van Gasse (1983) is a Flemish poet and artist. After numerous publications in journals, her debut collection Hetzelfde gedicht steeds weer (The same poem over and over again) was published in 2008. This was followed by Brak de Waterdrager (Broke the Water Carrier) (2011), M (2012, bibliophile edition) and Wenteling (Revolution) (2013).
Van Gasse introduced the genre of the graphic poem, a mixed format of words and images, into the Dutch-speaking region. In 2010, her first graphic poem, Sylvia, was published followed later by Zand op een zeebed (Sand on a sea bed) (2015). Not only does she combine words and images in her graphic poems, but she also makes use of the uniqueness of the genre to enter into a poetic dialogue with fellow authors. In 2011, together with Peter Theunynck, she created an adaptation of his debut collection, Waterdicht (Waterproof). In the period 2009-2013 she set up a multidisciplinary project around the figure of Caspar Hauser that resulted in a book, an exhibition and a multimedia show. Other notable publications are Zand op een Zeebed (2015) and Wassende stad (2017).
Lies Van Gasse’s work was awarded the Prize of the Province of East Flanders and her graphic work has already been exhibited in very many places.

Profile image: Lies Van Gasse